The mod rejected traditions that existed in the nineteenth century and sought to stretch the boundaries, striking out in new directions and with new techniques. More was demanded of the reader of literature or the faceter of art. Answers were not presented directly to issues raised, but instead the creative person demanded the participation of the audience more directly in elucidating meaning and in seeing the relationship between technique and meaning. The modern supplanted the Romantic tradition and questioned many of its methods and beliefs. Poets such as Emily Dickinson and Walt Whitman coffin nail be considered precursors of the modern, which was not then a full-fledged movement. They argon modern to the degree that the present a new management of looking at the reality. Whitman did so in his Leaves of Gr
I celebrate myself, and sing myself,
Ellmann, Richard and Robert O'Clair. Modern Poems. peeled York: W.W. Norton, 1989.
Emily Dickinson also used herself as prime subject in her poems, but she differs from Whitman in that where he examined the macrocosm of the world, she observes the microcosm of her own circumscribed world. She represented the world in the small things around her, and she make many of these into symbols of ideas, states of nature, and emotions. Her works express these inner feelings in a new and indirect way, and while some of her poems have a narrative, most are immediate expressions of feelings and ideas as the poet explores whatever of the world presents itself to her.
ass from 1855 as he shaped a view of the universe "by finding and acknowledging the relationships among the most disparate things, and relating them to himself as poet and as archetypal man" (Ellmann and O'Clair 882), as can be seen in the opening lines of "Song of Myself":
Though Dickinson lived a look apart from most of the world, there is in her poetry a passion for connecting with others that is palpable and expressiv
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