Appearance v Reality The recurrent theme of show v reality can be identified in ONeills The Hairy Ape and Williams A Streetcar Named Desire. The assorted playwrights use a variety of elements of stage drama to detect the impact of this theme on specific characters in the plays. ONeill uses expressionistic techniques to communicate the social reality of the drama and how bucks appearance has misguided his perception of that reality. ONeill depends upon the cause of his present to depict Yanks appearance in conflict with reality. In contrast to the expressionistic techniques used by the other playwrights, Williams allows the theme to develop in the natural staging of the two-story corner building in New Orleans. Williams relies upon lighting, sound, and dramatic coordinate to reveal Blanches efforts to conceal the reality of her past with the appearance she projects to the other characters.
ONeill uses expressionistic staging techniques and relies upon insights of the supporting characters to reveal the social realities of the ship. The first scene is staged in a crowded room filled with men each of whose identity element has been lost beneath their beards and the coal covering them. The space is dimly lit and the ceiling and walls confine the men who appear to exact down bargonly enough room to breathe.
The expressionistic effects argon meant to represent a cramped space in the bowels of a ship, as if the men are imprisoned by uninfected steel. The dialogue of the unified mass of men suggests the drunk and dotty tone of the scene. The men are lower class workers and are paid very little for the harsh labor conditions in the firemans forecastle. Long describes the oppressive nature of nine as he declares, We wasnt born this rotten way. exclusively men are born free and ekal They dragged...
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